4/9/2023 0 Comments Popular song triplety melodyTom Hamilton’s signature riff may be “Sweet Emotion,” but there are so many other songs where his sheer bass heroics are overshadowed by Joe Perry’s monster riffs. The high note riff in the post-chorus jam Of course, little did I know at the time that this famous mop-top had gone on to be one of the most influential bass players ever. But Paul McCartney starts the sequence two beats early, playing the root of the V and going down a half step before his three-note climb, resulting in a five-note run that fills out the entire gap in the vocals. What makes this little flurry of notes so clever is the sudden change in meter (coming out of the slow, steady rocking on the root and sometimes the fifth) and the double emphasis on the leading tones.Ī mere mortal bass player might have connected the V chord to the VI- by playing the note in between the roots of each. The very first time I can recall hearing this song on my parents’ turntable, I was struck by that groovy little bass riff between the lyric lines “tell you something” and “I think you’ll understand,” and repeated throughout the verses in the same spot. The Beatles – “I Wanna Hold Your Hand”Ĭhromatic connecting riff between the V and VI- chords of the verse lines To learn a bit more about how to write bass grooves that lock together with the rest of the rhythm section, check out Soundfly’s free short course, Writing Funk Grooves for Drums and Bass. Enjoy! 1. We’ll also examine the melodic techniques used in each case. So I wanted to pluck out a bunch of very famous songs from between the ’60s and ’80s where these stalwart rhythm-section warriors were able to eek out a few moments of their own in the limelight - those fleeting moments where any listener can catch the bass filling an iota of space very cleverly, or otherwise blending particularly well with the vocal, lead guitar, or other instrument. But throughout the 1960s and ’70s, where the songwriter reigned as king - seconded (if even) only by that of the heaven-descended lead guitarist - bassists were mostly criminally ignored. And standout players in genres like funk, soul and neo-soul, R&B, and prog rock also make it fun to examine that low-end magic happening just beneath the surface. How much do people really take the time to hear through what’s going on in the rest of the mix to find what the bass is doing?įor one, the wonderful basslines of Motown make it easy. How much does the general public really pay attention to bass riffs? I’m not talking about songs in which the bass has the main hook, like Queen’s “Another One Bites the Dust” or Lou Reed’s “Walk on the Wild Side” where the bass is technically the lead instrument, nor am I talking about every disco hit ever. Subscribe now to start learning on the ’Fly. + Welcome to Soundfly! We help curious musicians meet their goals with creative online courses. Whatever you want to learn, whenever you need to learn it.
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